「童貞放浪記」英訳(7・最終回)

The day passed with little to do, and in the evening, Jun called Moe and suggested they meet up. They met at a terminal station in northern Tokyo and boarded the subway without any particular destination in mind. However, when Jun leaned in close to Moe inside the train, she snapped, "You're too close!" Jun felt anxious, wondering if they weren't actually a couple after all. Moe had been somewhat distant from the start of the day. Jun had noticed this, and though they had parted on good terms last time, a thought lingered in the back of his mind—that perhaps she was overcome with disappointment at being with a man who was still a virgin past the age of thirty—but he tried not to dwell on it.

The day turned out to be a disaster. When they visited Ueno’s Shinobazu Pond at dusk—early autumn, yet still holding the heat of summer—couples were clustered thickly along the water's edge; some even seemed to be getting intimate right there. Jun found the scene amusing, but Moe seemed to look at such men with cold disdain. Before long, clearly bored, she tried to head home from Ueno Station. Jun, fighting back tears inside, managed to talk her into staying; as they walked up the slope in Yushima, Moe remarked, "This area is full of love hotels, isn't it?" but Jun couldn't summon the courage to suggest they go into one. Moe likely sensed his desire to try for sex again, but Jun didn't know how to handle the situation. By the time darkness had fully fallen and the streets were bathed only in artificial light, the two of them stood at an intersection in Kanda-Jimbocho, feeling somewhat at a loss.

When Jun Kanai placed his hand over Moe Kitajima’s, she lowered her gaze and said in a wistful voice:

"I thought a man like you would have outgrown that sort of thing by now."

Jun was utterly disheartened, though he later came to believe that Kitajima was mistaken on this point. Men never truly outgrow that desire—not for as long as they live.

He probably should have taken her out for a meal and then to a bar, but Jun, unaccustomed to the ways of dating, couldn't pull off such a move. The best he could manage was to take her to an ordinary restaurant he had visited once before. The place was full of couples, and the women there were all reasonably attractive and skillfully made up; this made Moe’s bare face stand out as something unique to Jun, filling him with a sense of pride in knowing just how captivating she truly was. Yet, none of this got through to Moe—nor would it have been possible to convey it without offending her. In fact, flustered by her bad mood, Jun made the mistake of talking about a woman he had once liked; this only made Moe angrier, and she snapped, "I guess I'm just another one of those women to you, then. You're a real flirt."

After leaving the restaurant, he couldn't stop Moe from trying to go home, nor could he invite her back to his apartment, as her mother was visiting the next day. The two of them stood by the Odakyu Line ticket gates at Shinjuku Station for a long time, engaged in a conversation that bordered on an argument. It consisted mostly of Moe venting vague, sweeping frustrations while Jun tried to placate her. When Jun mentioned that the woman he used to like was likely still a virgin, Moe took issue with it immediately.

"If Ms. Kikkawa is a virgin, then why don't you two virgins just figure it out together?" she said—words that bordered on an insult, leaving Jun flustered. After more than thirty minutes of talking, Moe shouted,

"And you're thirty years old!"

She then turned and walked through the ticket gates. Jun tried to reach out and shake her hand, as he had done in the past, but

"Don't you realize this isn't the time for a handshake?" she said. The unspoken continuation of "And you're thirty years old" seemed to be, "...and still a virgin."

Jun returned to Osaka at the end of the month, still feeling dejected, and that night he called Moe, who was already staying at her parents' home in Ibaraki. She apologized, saying she had spoken too harshly the other day. When Jun asked if she could come visit him the next day, she simply said yes. He later learned that whenever a man called her at home, her mother and younger sister would turn into eavesdroppers; she was relieved that the questions required only "yes" or "no" answers.

She arrived the next day—mentioning that she had only been able to come because the morning drizzle had stopped—but her mother, sensing she was heading to a man's place, had tried to talk her out of it, saying, "It's raining; you should stay home." Jun was struck once again by how far removed her mother's mindset was from her daughter's actual behavior. Even though she was in his room, Jun didn't have the courage to make a move; they spent about two hours listening to CDs before he walked her to the station.

Shortly before noon on September 30th, he received a call from Narita; Moe told him she was about to board her flight. Afterward, he received a few letters from the college town in the U.S. He also had her phone number and called her twice during the day—her daytime hours. Yet, neither in her letters nor during their calls did she ever mention her British boyfriend. Eventually, the letters stopped coming.

From that time, Jun Kanai began to sense his mental health deteriorating. It started with dizziness—which he self-diagnosed as autonomic imbalance—but gradually evolved into panic attacks. At the time, however, that term didn't even exist yet. He suspected the stress stemmed from a barrage of events, beginning with Yamaguchi’s intimidation; but by the spring of the following year, he was plagued by constant irritability, and by the time he returned home for summer vacation, he was suffering from a simultaneous onset of dizziness, anxiety, and depression. Perhaps he should have gone to a psychiatrist and gotten medication sooner, but at the time, there was no casual talk about visiting such doctors; he hesitated, and the days simply dragged on. Eventually, Jun began to wonder if his virginity was the root cause. He reasoned that while he was no longer technically a virgin—having gone halfway—he hadn't truly lost his virginity in the full sense. Rationally speaking, unless one establishes a stable relationship, simply losing one’s virginity in some random way wouldn't "cure" the condition; nevertheless, one day Jun decided to try "buying" a woman.

However, his mental state was too fragile for a full-fledged brothel. That was when he thought of the Ichikawa OS Theater. He knew that there, one could request a specific dancer and engage in the "real thing." His plan was to watch the striptease to get aroused and then go through with it in the heat of the moment. The start of autumn was approaching; the summer heat had lost its sharp intensity and settled into a sticky, unpleasant humidity. Jun got on his bicycle and headed to the theater.

There was no rock-paper-scissors game that day. Instead, Jun—who was sitting right at the front—had his hand grabbed by a dancer who looked to be over thirty, and he was pulled up onto the stage. Terrified that he might actually be forced to perform right there with this rather rough-looking woman, he couldn't manage to say much; the dancer toyed with him briefly before dismissing him back to the floor, complaining that he was a poor sport. He probably should have taken the hint and left then and there, but Jun had a personality that wouldn't let him back down once he’d made up his mind. Although there were many unattractive dancers compared to places like Deluxe Toji, he spotted one who looked somewhat appealing. After watching the women’s naked bodies for about two hours, Jun made up his mind and stood up; he gave the name of the dancer he had chosen to the attendant at the entrance and received a numbered ticket.

His number was called almost immediately, so he stepped outside and waited in a small shack—barely two tatami mats in size—that had been erected there. When the dancer arrived, however, she looked nothing like she had on stage; her face was aged and haggard.

"You know, I’m not really supposed to be doing this kind of thing. My job is to dance,"

she said, and Jun Kanai turned pale. Since strippers rotate through various theaters on ten-day schedules, whether or not they accept work at a venue that requires prostitution depends on the individual dancer's standing in the profession.

She bared her lower body and exposed her breasts, urging Jun to do the same; he removed his trousers and underwear. Seeing Jun’s pallor, the woman—perhaps realizing she had said too much—managed a faint smile and fitted a condom onto his completely limp penis. Jun tried desperately to rouse himself; he lay over her body and caressed her breasts, but his penis refused to stir. It was only natural; unless a man was exceptionally hardened, it would be impossible to perform after hearing a remark like that.

Flustered, Jun pulled away from her and tried to achieve an erection manually, but before long, he ejaculated while still flaccid. "What the hell? You're just a pervert," the woman said, ushering him out with a curt, "Alright, we're done here." It was the worst day of Jun Kanai’s life—worse even than the time of the bleeding incident. It was already pitch dark outside as Jun cycled home, feeling utterly wretched; the scent of a woman’s perfume clung to his body, and, worried that his mother might notice it, he tried to wash it off his arm. Yet, much like Lady Macbeth tormented by the nightmare of being unable to wash away the blood, the scent refused to fade, and Jun found himself returning to the washbasin again and again.

 

矢川澄子と澁澤龍彦について

今度9月20日に澁澤龍彦研究会というところで跡上史郎という熊本大准教授が発表をするのだが、澁澤の妻だった矢川澄子が中絶を強要されたとウィキペディアに書いてあるが、「澁澤からは数度にわたって妊娠中絶を強要されていたともいう」という内容が現れるのは、2007年4月5日であり、典拠は示されていなかった。そして、これを書いたのは「長期的な荒らし行為を行っているユーザーとしてリストアップされて」いる人物なのである。」とある。この「ユーザー」とされているのは私にほかならない。私はウィキペディアによるブロックを不当なものだと考えているが、この場合「要出典」をつけるのが妥当なやり方であろう。そして典拠がないわけではなく、それは矢川・池田香代子・山下悦子の鼎談である。

没後10年・素顔の渋沢竜彦 架空の庭のおにいちゃん

矢川 澄子池田 香代子山下 悦子 「正論 」, 1997-02

  跡上が、これでは不十分だと言うならそのように論じればいいので、「長期的な荒らしユーザー」が何の典拠もなく編集したかのように言うのは卑劣であろう。

「童貞放浪記」(英訳)6

Jun opened the front of Moe’s top and, more carefully than the last time, sucked her nipples and caressed her breasts. The room lights were off, but enough light streamed in from outside for Moe’s body to stand out in a pale blue silhouette. *She’s beautiful,* Jun thought. Moe, in turn, removed Jun’s pajama top, then ran her tongue over his nipples and bit down on them. After a moment, her hand reached toward his pajama bottoms, groped inside, and found his penis. A shiver ran through him. As she caressed him, Jun slid his own hand inside her bottoms to explore her intimate area. Beyond the fact that she was wet, it wasn't long after he began caressing her and inserted his fingers that he realized just how ignorant he had been. At the adult massage parlors or strip club "pink rooms" he had visited, inserting fingers into a woman's genitals was likely off-limits; he hadn't realized the area was so complex in structure. He had vaguely imagined it as nothing more than a hole with folds.

The scenario Jun had somewhat feared—a virgin ejaculating almost immediately, as the stereotype goes—did not happen. However, that was because he was still tense. He caressed Moe’s upper body with his tongue but did not move down to her lower body; nor did she attempt to guide him there. In doing so, Jun convinced himself that he was sufficiently relaxed and surrendering himself to the pleasure. After the appropriate caresses had run their course, Jun asked, "Can I put it inside?" "But do you have one?" "I do." Jun pulled away from Moe and took a condom out of his bag. She offered to put it on for him; guided by the light streaming through the window, she said, "I can tell which side is right," and put it on him. However, the moment he tried to proceed, his erection instantly wilted. They tried three times, replacing the condom each time. Jun wanted to try again, but she took his hand and said, "Hey, listen... they say it's risky at times like this." She meant the risk of pregnancy. And so, the attempt came to an end. Jun continued to caress her, but before long, her right hand went numb. She said this happened sometimes, and as she rubbed and massaged it, the numbness faded.

"Let's do it again sometime," Jun Kanai said, but the woman looked down slightly and replied, "I don't know." "The way the number of people involved keeps growing..." Looking back now, she was likely thinking about the British man she was due to meet. They stood up, both stark naked; with his arm around her waist, gazing out at the night view, he said,

"When I get back from America, why don't we live together?"

She asked,

"But... is that the sort of thing you're capable of, Kanai-san?"

"Oh, you mean living together without getting married?"

"Right."

She was opposed to the institution of marriage. Jun, for his part, couldn't quite bring himself to make that commitment. They must have fallen asleep around three o'clock; the next morning, she told him, "I felt relieved watching you sleep." Still in her underwear, she climbed onto Jun's lap, wrapped her legs around him, held him tight, and whispered, "It's hard, isn't it?" Jun happened to say,

"Someone like you, with so much experience with men..."

to which she replied,

"It’s not that much. I’ve only look at each other with two men."

Apparently, nothing had happened between her and the man she had followed all the way to America.

More than that, the phrase "look at each other"—or literally, "have an intercourses"—struck Jun anew with her allure. What precise, erotic language she used. In Japanese ancient word, “maguwai” means looking at each other, and sex, too.

That day, Moe had a study group meeting, so the two of them left the room around eleven o'clock. As he listened to her recount various experiences, Jun couldn't help but reflect on the poverty of his own life. He headed straight for his parents' home; for some reason, he vividly remembers leaving the station and eating lunch at a rustic ramen shop—a memory that comes back to him whenever he passes by that area today. Later, he read a novel by a female author featuring a heroine who declared she was done with sleeping with virgins. Reading the passage where she explained that such men were obsessed merely with the novelty of sex itself, Jun was reminded of how he had been back then.

At that time, September 23rd was designated as the Autumnal Equinox Day, a public holiday. When staying at his parents' house, Jun used to set his TV on a timer to act as an alarm clock, though he usually woke up while drifting between sleep and wakefulness, listening to the audio. That morning was no different; a voice singing a song that evoked a sense of nostalgia had mingled with his dream. When he suddenly opened his eyes, the TV was on, showing Nobuhiko Obayashi’s film *Futari* (Two of Us). After getting up and changing clothes, he found himself captivated by the screen, forgetting to even eat breakfast. It was one of Obayashi’s signature sentimental, nostalgic films featuring a beautiful young girl, and the work remains inextricably linked to his memories of that period.

 

ヘミングウェイについて

 昨日、村上春樹の『職業としての小説家』を読んでいたら、作家は年とともに力が衰えるという話で、ヘミングウェイは初期には力があった、とあり、『日はまた昇る』や『武器よさらば』のころは力があふれていたとあるのを見て、えっと思ってしまった。

 村上春樹がフィッツジェラルドとともにロスト・ジェネレーションびいきで、ヘミングウェイの文体に影響を与えたレイモンド・チャンドラーを高く評価しているのも知っていたが、『武器よさらば』のような通俗小説まで評価しているとは思っていなかったからだ。

 私の理解では、ヘミングウェイは通俗的と見なされていたが、晩年に『老人と海』を書いたことで純文学作家として評価されてノーベル賞をもらったということになっているが、村上春樹はどうやら純文学とか通俗小説とかいった区別は自分でもしない作家らしい。

 もっとも、村上春樹が言うだけならそれほど気にもしないが、筒井康隆が昔、若いころヘミングウェイの翻訳の文体に影響を受けたと言っており(これにはインタビュアーも意外だという声をあげていた)、最近読んだ佐伯一麦の『水平と垂直』でも、大学の学生に小説創作を教える授業でヘミングウェイの「雨の中の猫」という短編を読ませるところがあり、ほう、と思ったからだ。

 多分私がヘミングウェイと相いれないのは、やはりそのマッチョ趣味だろう。『聖母のいない国』では『日はまた昇る』を論じているのだが、あとでこれはフェミニズムに媚びているなと思って文庫版で削除しようとして、編集者の助言で残したものだ。

 東大英文科教授の諏訪部浩一は『『マルタの鷹』講義』という本で何か賞をとったが、私はこういうハードボイルドがどちらかといえば嫌いで、ジェイン・オースティンとか『風と共に去りぬ』とか『細雪』とか、女人のめんめんたる生活を描いたもののほうが好きなのだろう。

(小谷野敦)

童貞放浪記(英訳)5

At the end of the month, he returned to Osaka for a faculty meeting, and the following evening, he wrote a letter to Moe. It was a long, heartfelt letter expressing his deep regret and his inability to let go of his feelings for her; he waited a day before mailing it. Jun was frequently traveling between Osaka and Tokyo during this period; after returning to Tokyo, he came back to Osaka on September 6th. On the night of the 8th, he called Moe and poured out his anguish. In truth, while he certainly liked Moe, he was also deeply frustrated at having missed the chance to sleep with her. He lamented quite dramatically—behavior that, in retrospect, might well have put her off—yet strangely, she was moved. Perhaps she, too, felt it was a shame to sever a relationship that had progressed this far. In the end, she said, "All right, I'll come to Osaka," and a visit was scheduled for two days later.

The next day, Jun Kanai bought a box of condoms at the university co-op. On the day of her arrival, while he was waiting for her, he received a call; she explained that after boarding the Shinkansen, she had realized she’d left behind the notebook containing his phone number. She had looked up his parents' home number via directory assistance and managed to get his number by pretending to be his junior colleague, Kitajima. Nowadays, they likely wouldn't give out the number without the exact street address, though conversely, in this day and age, she would simply send an email from her mobile phone. He met her at the station, and they strolled through a nearby park until dusk. Afterward, they had dinner at a small eatery and then walked to the banks of the Kizu River. On their way back, she paused to step into a general store. She bought something in addition to some honey; when he asked, "What did you buy?" she replied, "That’s not something to tell a man." It was nearly nine o'clock when the two of them finally entered Jun's room. As the night deepened and they chatted in the cramped space, Moe took a quick bath and changed into her pajamas. Then, smiling, she said,

"You know, at this point, we’ve practically crossed the line anyway, haven't we?"

They lay down with their futons side by side, but Moe revealed that her period had actually started earlier than expected that day. She remarked that it seemed to happen whenever she got excited—the very thing she had bought supplies for earlier. To be honest, Jun didn't quite know what to do. At one point, he tried holding her hand. They drifted between trying to sleep and talking as the night wore on, eventually passing two in the morning. Moe mentioned she was coming down with a cold and complained that her stomach had started to hurt—calling the situation "infuriating." Before long, her hand reached out and touched the skin of Jun's stomach; she said the pain was subsiding. After a while, Jun made up his mind, moved over to her futon, and kissed her. It was a dry kiss—lip against lip—without any mingling of saliva. Moe suddenly sat up, looking down and appearing to be holding something back; when Jun asked what was wrong, she said, "You startled me a bit." After taking a moment to compose herself, she said, "Now it's my turn," and leaned over to kiss him. Even then, it remained a light kiss.

Moe changed her tone and said, "That took a while." Seizing the moment, Jun asked her to stop speaking so formally, and she replied, "Permission granted." It was already past three-thirty. When Jun lifted Moe's pajamas, her bare breasts were immediately revealed. Jun didn't know—as a general rule—whether women wore bras when they slept. Jun caressed her small breasts and then tried using his tongue. After doing so for a while, he made a deliberate move to reach for the lower half of her body, but Moe stopped his hand, saying, "There’s no end to it." Deep down, Jun felt relieved that he—a virgin—had managed to avoid going all the way.

That night ended with nothing more than intimate caresses above the waist; after sleeping for about two hours, they shared a drink of hot water with honey in the morning light—she had prepared it, claiming it was good for the throat. It was the first time Jun Kanai had ever kissed a woman who wasn't a professional or spent a night like that, though Moe never even suspected as much. She headed home around nine or ten o'clock, and Jun walked her to Shin-Osaka Station. After seeing her off at the ticket gate, he happened to catch a glimpse of himself in a mirror and realized his face looked a wreck from the lack of sleep and the excitement. Back at his lodgings, as he lay down on his futon, he was startled to hear the words "Wow, that was a surprise" suddenly escape his own lips. He discovered a long strand of Moe’s hair on the bedding and, in his excitement, kept it as a memento. He was so worked up that he had completely forgotten it was the opening day of the Autumn Sumo Tournament—even though he was a huge sumo fan. Seeking to calm his nerves by engaging with something devoid of sexual undertones, he went to a video rental shop, borrowed *Ultraseven* and *Godzilla*, and watched them.

However, Jun seemed quite disoriented by a turn of events he never could have imagined just months earlier; about four days later, on his way home from university, he tried to enter a diner set back slightly from the street but twisted his ankle on the small flight of stairs. Convinced he had also caught a cold, he took to his bed. When he called Moe, she immediately let out a little, "Heh heh." He had planned to return to Tokyo that weekend and stop by Moe’s apartment on the way, but the prospect of things getting "serious" left him in a state of anxious turmoil—unsure if he was truly up to the task. Instead, he visited a different strip club, Toyo Music, and entered a "pink room" as a sort of dry run, though he felt a restless unease once he returned.

As the Shinkansen sped past Lake Hamana, Jun Kanai felt a pain in his groin; he pressed the area in concern but attributed it to nervous tension. He intended to get off at Shin-Yokohama, take the Yokohama Line to Machida, and then switch to the Odakyu Line to reach the station near Moe’s apartment. When he called her and said, "I'm at [Station Name]," the experienced young woman feigned surprise, letting out a playful, amused "Oh really?" She soon arrived, smiling shyly, and they had dinner near the station. Jun remembered her saying, "It feels a bit like we're a family, doesn't it?" Her apartment building looked like the headquarters of a major corporation; it featured a central atrium, and her unit was on the thirteenth floor. It was a simple studio layoutbath and toilet to the left of the entrance, leading through a narrow space into a small living area—but the view of the night skyline was magnificent. She explained that she was gradually moving her belongings out in preparation for her trip to America, so there wasn't much left in the room; she laughed as she pointed out the first-aid kit where she usually kept condoms, noting that there weren't any inside today. Since it was still early in the evening, they went for a walk and sat side-by-side on a river jetty. He wrapped his arm around her waist—a gesture he had never made before—and felt a surge of intense excitement. She was scheduled to leave for America on September 30th. Before that, she was going back to her parents' home in Ibaraki, and since she would be flying from Itami Airport to Narita, she asked him, "Why don't you come along?" That’s what she said. "Oh, that sounds nice—if the plane crashed, we could die together." Jun said this without giving it much thought. She replied seriously, "Maybe when we’re a bit older, that would be fine, but for now..."

They went back to her room. Jun smoked Mild Seven Lights at the time, but she was mindful about the smell lingering, since his mother was coming the next day to help with the move. However, when he tried to take a shower, the bathroom door got stuck and wouldn't open. Moe panicked and tried various things to no avail; when Jun said, "It doesn't matter," she insisted, "But you're all sticky, aren't you?" In the end, the door opened easily once the lock was adjusted. After washing off the sweat and putting on pajamas, they laid out a thin futon and lay down together.

Moe asked, "Does it scare you that I’m so bold?"

Jun felt he should make it clear that he was a virgin, as he worried things might not go smoothly. When he told Moe Kitajima that this was his first time, she didn't grasp the meaning at first. When he explained further, an expression of sheer astonishmenta look of "You can't be serious"—spread across her face. Jun honestly asked her to guide him. Though likely still shocked deep down, she nodded.

トロロープとハウエルズ

 村上春樹の『職業としての小説家』を読んでいたら、あのおなじみ、アンソニー・トロロープの話が出てきた。トロロープは19世紀英国の人気作家だったが、郵便局にも努めていた。1882年に死んだあと残された日記に、何時から何時まで何万語書いたという風に機械的な執筆姿勢があったため、人々は失望して、その人気は衰えたが、その後再評価されたというのである。

 私は確かこの話を、大学院で行方昭夫先生から聞いた気がする。そのあと、夏目漱石の、『明暗』を書いている時の手紙にも「機械的」と書いてあるということが話題になったことがある。

 なんで作家が機械的に書くと名声が落ちるのかはちょっと分からないが、トロロープの場合、そっちよりも、再評価された、のほうが分からない。なぜなら村上春樹もトロロープは読んだことがないと言うし、私だって読んだことはない。翻訳はあるが、英語の教科書を出す会社から出ていて、もちろん全然読まれてはいない。これって「再評価」されてるんでしょうかと言いたくなる。

 これと似ているのがアメリカの19世紀の作家・評論家のウィリアム・ディーン・ハウエルズで、存命中はかなり勢力があったらしいが、1920年に死んだあとは名声が衰えて、誰も読まなくなった。しかし『アメリカ文学史』を読むと、ハウエルズは再評価されるべきだと書いてある。これは1976年に出た文学史だが、その後ハウエルズが再評価されたとか面白いと言われているとかいう話は聞いたことがない。

(小谷野敦)

童貞放浪記(英訳)4

The following day, Jun attended a research meeting in Kyoto. Afterward, he visited a young friend named Daito—who had quit the oil company he joined in April after just three months and was living in a shabby boarding house—and stayed the night. Daito was a man Jun had met and become unusually close to during his own time studying abroad; Daito had quit his training program—unable to endure it—and been disowned by his parents, claiming at the time that he was submitting over a hundred applications to British universities. The next day, the two of them went to the "Deluxe Toji" theater; Jun treated Daito to a five-thousand-yen ticket, and they gazed at the naked bodies of the dancers before Jun returned to Tokyo the following day. Jun was grappling with pent-up sexual desire. However, upon returning to his family home, perhaps due to exhaustion, he ended up bedridden for about a week.

On August 15th, a letter arrived from Moe. Written in blue fountain-pen ink across two sheets of paper, it recounted how she had gone to see the *Ningyo Joruri* (puppet theater) on Awaji Island with friends and shared memories of the kendo club from her days at the Kyoto University of Education High School. Jun had a weakness for "young ladies" from privileged backgrounds; he had initially thought Moe might be an exception because she appeared so modest, but upon learning she had attended a national university-affiliated high school, he reconsidered. While such young women typically attend private schools, he reasoned that attending a national school implied a family of considerable standing. She was undoubtedly brilliant—having entered the prestigious T University straight out of high school, advanced to the elite Liberal Arts department, and proceeded to graduate school. She had also been in the gymnastics club during college; balancing club activities with such academic excellence suggested a truly exceptional mind. Coupled with her romantic history, her life struck Jun as undeniably glamorous.

What surprised him most, however, was the story of a man she had dated during her sophomore year—a relationship that never went all the way to physical intimacy. When the man went to the U.S. to study for a year, Moe, longing to see him, entered an essay contest where the prize was a short-term study-abroad program in the U.S.; she won the contest and went there. Jun was dazzled by such passionate determination. She also mentioned that while studying in the U.K., she had traveled to France and visited a beach that turned out to be a nudist beach; feeling that wearing a swimsuit was unnatural in that setting, she had simply taken it off. It’s funny how a Japanese woman I knew from my time studying in the UK reacted to the story by saying, "What? Moe-san, I can't believe it." It struck him as funny that she had said, "Wow, Moe-san, I can't believe it." Hearing that story inevitably got Jun excited.

At the time, Marguerite Duras’s *Agatha* was being performed at Theater X in Ryogoku. Around 1:00 p.m. on the twentieth, Jun called Moe and invited her to go see it. They decided not to meet up beforehand but to simply see each other at the theater that day. However, even after entering, he couldn't spot her; when he finally found her after the performance, she smiled, but it seemed somewhat forced.

Afterward, the two of them went to a coffee shop. Moe told him this story: she had a younger sister named Junko—whom she called "Jun-chan"—and they were very close. Jun-chan had gotten a boyfriend, but Moe didn't like him. When she asked why, Jun-chan said it was because of the way he ate—specifically, that he would drink his tea while stuffing his cheeks with cookies. Moe felt this was a significant issue, so she met the man and spoke to him; he offered various excuses, such as the cookies being hard, and Moe concluded that a man like that wasn't good enough for Jun-chan. Jun didn't understand what was wrong with putting cookies and tea in one's mouth at the same time. Their conversation was strangely out of sync that day, and her demeanor seemed off. He briefly considered getting on the train with her and going all the way to her apartment after leaving the shop, but the atmosphere didn't allow for it; instead, he parted ways with Moe at Akihabara and went home.

Five days later, around midday, he received a call from Moe. She seemed to be calling from a train station platform, as there was a lot of background noise.

"There are still so many things I haven't told you..."

she said. It turned out that the various fragments of stories she had shared—about dating a scientist, or about a British man living in the U.S.—were actually all about the same man, and that her plan to study abroad in the U.S. that autumn was for the purpose of seeing that British man. It turned out that the call from the Englishman had come just an hour after Jun had phoned to invite Moe to *Agatha*. That explained her odd behavior at the time. Jun had kept his cool during the conversation and hung up, but he was left with a crushing sense of disappointment—a feeling that this was all his efforts amounted to.